4.03.2014
Unit
13- Contemporary theatre performance
Unit
19- Principles of acting
Unit
1- Performance workshop
Key
rehearsal tasks:
*Learn
lines (more flexible, rehearsals can start properly, etc.)
*Blocking
(organizing performance space)
*Props
and costume (character comes to life)
*Characterisation
(back story, not realism)
*Tech
stuff (creepy, slow music)
*Research
(on your character, what people think about the play, etc.)
6.04.2014
Verfremdungseffekt=
creating emotions.
*epic theatre
*alienation
e.g.
actress character has been raped, audience feel what she feels but then a clown
behind her is making fun and you laugh, but you are then conflicted and you
question it/ have questions/ are confused = wanted to leave thinking, wanted to
make a point.
*Didactic= intended to teach, particularly in having moral
instruction as an ulterior motive.
*Was in the 1940s.
*Was in the 1940s.
This could help our play by us incorporating this idea.
We could use the moral of changing the audiences feelings so dramatically that
they are confused in their own feelings and thoughts. This would leave a
dramatic feeling in the audiences minds and they would think about what was
going on a lot more. This would help us to easily make our audience more
interested in what is going on and make them actually think instead of just
view.
13.03.2014
Brecht
Placards= A narration of what is going on (e.g. what the actor
is thinking/actually wanting to say.) They are blunt and straight to the point
because Brecht preferred it like that, however when playing around
with this idea in class we thought overall that it was actually better to
subtle.
In our play, we also have narration of the 'Chorous', it is story
telling for the audience of what is going on in the scene without bluntly
telling them, we are still making them think and be interested.
Brecht watched a lot of Greek Theatre, he didn't like the plays
but loved the chorus'.
Types of narration:
*1st person- "I did this"
*3rd person- objects that don't usually speak (e.g. the wind whistled)
*In character
*Stepping out of character
Caricature= a joke of themselves (e.g. Miss
Slighcarp, Mr Grimshaw are both great examples of this, their personalities are
very over the top and almost not human, like animals.)
Stereotypes= sexuality, what you wear, chavs, teen mums.
*Based
on ignorance, speak from others. Easy to say, automatically thought if you were
brought up with it. Quite useful because if showing a character with a stereotype
it is easier because everybody in the audience will know what type of person is
being portrayed.
Your explanation of Verfremdungseffekt is not quite correct here, but you go on to give examples which clearly demonstrate your understanding of the techniques we explored in our Brecht workshops. You suggest ways they link or could be applied to our production.
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